The Fourier Transform debut is here. My remix of Void Disaster by G-Prod is out now and I’m genuinely pleased with how it has come out.
I wrote in May about how clearly this remix knew what it was from early in the process. That clarity is audible in the finished track, I think. There’s a directness to it, a sense of the arrangement having been arrived at rather than assembled, that I find in the best of my work and that I’m always chasing when I can’t find it.
G-Prod’s original is a track with real atmosphere and a particular quality of tension in its construction. What I responded to was the space in it: the gaps between elements, the moments where the track breathes. My remix leans into that spaciousness rather than filling it. The groove is rolling and patient and the acid elements come and go without ever quite becoming the dominant thing. It’s a track for a room that’s paying attention.
Fourier Transform continue to impress me with the consistency of what they’re putting out. Every release they make adds to a catalogue that feels genuinely coherent, built by people with a clear sense of what they believe good electronic music should do. Being part of that catalogue means something.
This is the beginning of what I hope will be a continuing relationship with the label. More to come.
